4462 / 18210 · Workshop 27 — “Nardis”: Modal Minor, Phrygian Color, Non-Functional Harmony, and Improvising When the Chords Don’t Behave Like ii–V–I← prev⊞ allnext →
27.44Level 17 — functional → modal architecture
Reverse.
Start:
Dm7♭5 → G7 → Cm.
Then stay on Cm while B natural disappears back to B♭.
The tonic resolution opens into a modal vamp.
Now “home” becomes a landscape rather than endpoint.