4429 / 18210 · Workshop 27 — “Nardis”: Modal Minor, Phrygian Color, Non-Functional Harmony, and Improvising When the Chords Don’t Behave Like ii–V–I← prev⊞ allnext →
27.11Don't confuse this with a leading tone
B→C approaches tonic from below.
Phrygian D♭→C approaches from above.
Both are semitones.
But psychologically they feel very different.