4105 / 18210 · Workshop 23 — “Night and Day”: Pedal Tones, Chromatic Descent, Repeated Motifs, and Making One Harmonic Idea Sustain a Long Phrase← prev⊞ allnext →
23.48Example
Suppose motif rhythm is:
short-short-long.
Intro: LH ostinato uses it.
Melody: original.
Fill: RH echoes it.
Solo: sequence it.
Ending: slow it down.
One motif, many roles.