4068 / 18210 · Workshop 23 — “Night and Day”: Pedal Tones, Chromatic Descent, Repeated Motifs, and Making One Harmonic Idea Sustain a Long Phrase← prev⊞ allnext →
23.11The chord names are secondary
The primary musical event is:
bass falling chromatically toward G
The harmonies make that line meaningful.
This is the same “line first” approach, now stretched across a longer phrase.