BookatlasPiano Rabbit Hole: Improvisation Theory & Practice
4058 / 18210 · Workshop 23 — “Night and Day”: Pedal Tones, Chromatic Descent, Repeated Motifs, and Making One Harmonic Idea Sustain a Long Phrase← prev⊞ allnext →

23.1Start with the idea of a pedal

Suppose the bass stays on:

C

while upper harmony changes.

For example:

Cmaj7/C

Dm7/C

G7/C

Fm/C

The bass says:

C remains important.

The upper structures create changing color.