3866 / 18210 · Workshop 20 — “I Got Rhythm” / Rhythm Changes: AABA Form, Fast Turnarounds, Dominant Chains, and Thinking One Phrase Ahead← prev⊞ allnext →
20.85Level 47 — melody statement versus solo
When playing the composed melody:
keep accompaniment supportive.
During solo:
you can simplify chordal density even more.
Do not try to prove harmony twice—once in bass and once in every RH voicing.