3567 / 18210 · Workshop 17 — “All of Me”: Secondary Dominants Everywhere, Turning a Simple Tune into a Functional-Harmony Laboratory← prev⊞ allnext →
17.46Circle bass versus chromatic bass
Circle:
E → A → D → G → C.
Strong functional movement.
Tritone-sub version:
B♭ → A
E♭ → D
A♭ → G
D♭ → C.
Strong chromatic movement.
These are two very different harmonic aesthetics.