3549 / 18210 · Workshop 17 — “All of Me”: Secondary Dominants Everywhere, Turning a Simple Tune into a Functional-Harmony Laboratory← prev⊞ allnext →
17.28Level 11 — target the altered third in improvisation
Over E7:
play G♯.
Over A7:
C♯.
Over D7:
F♯.
These are the notes that distinguish the secondary dominants from their diatonic minor counterparts.
If your solo ignores them completely, the harmonic changes become less audible.