3563 / 18210 · Workshop 17 — “All of Me”: Secondary Dominants Everywhere, Turning a Simple Tune into a Functional-Harmony Laboratory← prev⊞ allnext →
17.42Example
Instead of:
A7 → Dm
use:
C♯°7 → Dm.
Instead of:
D7 → G
use:
F♯°7 → G.
This creates smoother chromatic bass/inner motion.