LEVEL 12 — Tritone Substitution
At the final cadence:
instead of:
Dm7 → G7 → C
try:
Dm7 → D♭7 → C
Now bass:
D → D♭ → C.
Very smooth.
For one sophisticated repeat, this is excellent.
At the final cadence:
instead of:
Dm7 → G7 → C
try:
Dm7 → D♭7 → C
Now bass:
D → D♭ → C.
Very smooth.
For one sophisticated repeat, this is excellent.