17280 / 18210 · Workshop 122 — Building Your Personal Musical Language: How to Combine Harmony, Rhythm, Melody, Bass, Texture, and Form Without Sounding Like a Collection of Borrowed Styles← prev⊞ allnext →
122.179Example
Maybe you discovered:
even when harmony/style changes,
you always create:
long inner semitone lines
and:
staggered climaxes.
That may be more personal than:
minor iv.