14949 / 18210 · Workshop 113 — Writing Original Chord Progressions: Functional Logic, Voice-Leading Logic, Modal Logic, and How to Avoid “Chord Collection” Syndrome← prev⊞ allnext →
113.17Level 10 — contrary top line
Bass:
C-B-A-G.
Top:
E-F-G-A.
Now harmony must support two directional lines.
Possible harmony becomes constrained.
This often yields stronger progression than choosing chords alone.