14591 / 18210 · Workshop 111 — Composing Harmonic Rhythm and Pacing: How Fast the Harmony Changes, When It Stands Still, and Why Timing Can Matter More Than Chord Choice← prev⊞ allnext →
111.58Level 38 — melody arrives before both
Melody anticipates new chord tone.
Then harmony.
Then bass.
Three-stage arrival.
This can sound extremely natural when phrased well.