BookatlasPiano Rabbit Hole: Improvisation Theory & Practice
10000 / 18210 · Workshop 82 — Symmetrical Harmony and Harmonic Geometry: Diminished Cycles, Augmented Triads, Whole-Tone Motion, Major-Third Systems, and Escaping Ordinary Tonal Gravity← prev⊞ allnext →

82.93Level 55 — symmetrical dominant climax

At major cadence:

instead of ordinary G7:

use:

G7♯5

then perhaps G7♭9/diminished color

then C.

You can move from:

whole-tone-like dominant

→ diminished/altered tension

→ tonal resolution.

A very rich cadence.