10000 / 18210 · Workshop 82 — Symmetrical Harmony and Harmonic Geometry: Diminished Cycles, Augmented Triads, Whole-Tone Motion, Major-Third Systems, and Escaping Ordinary Tonal Gravity← prev⊞ allnext →
82.93Level 55 — symmetrical dominant climax
At major cadence:
instead of ordinary G7:
use:
G7♯5
then perhaps G7♭9/diminished color
then C.
You can move from:
whole-tone-like dominant
→ diminished/altered tension
→ tonal resolution.
A very rich cadence.