9847 / 18210 · Workshop 81 — Polychords and Bitonal Hearing: Two Harmonic Worlds at Once, Upper Structure vs. True Polychord, Controlled Clashes, and Making “Wrong” Chords Sound Intentional← prev⊞ allnext →
81.57Level 25 — shared tone as pivot
Hold high G.
LH C major.
RH E♭ major fragments around G.
Then gradually remove lower E.
Now the major/minor clash softens.
Then perhaps transition fully to E♭.
The polychord can become a modulation bridge.