9807 / 18210 · Workshop 81 — Polychords and Bitonal Hearing: Two Harmonic Worlds at Once, Upper Structure vs. True Polychord, Controlled Clashes, and Making “Wrong” Chords Sound Intentional← prev⊞ allnext →
81.17Play low/high separated
LH C-E-G below.
RH E♭-G-B♭ high.
Do not put E and E♭ adjacent initially.
Separate them by at least an octave if possible.
The dissonance becomes more spacious.