8226 / 18210 · Workshop 65 — Motivic Development Across Harmony: Sequence, Inversion, Fragmentation, Rhythmic Mutation, and Making One Small Idea Survive an Entire Form← prev⊞ allnext →
65.95Apply it to “Mack the Knife”
This is especially useful for solo choruses.
Rather than abandoning the song during improvisation:
take one short melodic fragment.
First:
quote it.
Then:
sequence it through harmony.
Then:
rhythmically displace it.
Then:
bluesify it.
Then:
block-chord it in the final chorus.
The solo and arrangement remain unmistakably connected to the tune.