BookatlasPiano Rabbit Hole: Improvisation Theory & Practice
8188 / 18210 · Workshop 65 — Motivic Development Across Harmony: Sequence, Inversion, Fragmentation, Rhythmic Mutation, and Making One Small Idea Survive an Entire Form← prev⊞ allnext →

65.57Level 34 — motif as dominant marker

Similarly, reserve a motif only for dominant chords.

Example:

A♭-F-B

on G7alt.

After several repetitions, the motif itself begins to imply dominant tension.

Musical meaning becomes learned through repetition.