7838 / 18210 · Workshop 62 — Harmonic Side-Slipping: Chromatic Planing, Approach Chords, Outside Playing, Semitone Detours, and Returning Home Without Sounding Random← prev⊞ allnext →
62.7Do not analyze every outside note individually
The middle phrase works because the whole motif shifted.
The listener hears:
“same object, wrong floor.”
That recognizable contour makes the chromatic departure coherent.