7800 / 18210 · Workshop 61 — Melodic Minor as a Practical Color System: Altered Dominants, Lydian Dominant, Minor-Major Harmony, Locrian ♮2, and Choosing Tension by Destination← prev⊞ allnext →
61.59Piano experiment
LH: G.
RH: B-F-A♭-E♭.
Then change bass only:
G → D♭.
Listen.
The upper notes suddenly acquire another dominant identity.
This is exactly the bass-reinterpretation principle again.