7784 / 18210 · Workshop 61 — Melodic Minor as a Practical Color System: Altered Dominants, Lydian Dominant, Minor-Major Harmony, Locrian ♮2, and Choosing Tension by Destination← prev⊞ allnext →
61.43Another line
A♭ over Dm7♭5: ♭5.
A♭ over G7: ♭9.
G over Cm: 5.
So:
A♭ → A♭ → G.
Common tone becomes tension, then resolves.
Excellent.