7738 / 18210 · Workshop 60 — “Butterfly”-Type Floating Harmony: Deep Pocket, Pedal Centers, Upper Structures, Parallel Voicings, Common-Tone Motion, and Making Harmony Feel Suspended Rather Than Functional← prev⊞ allnext →
60.85The larger harmonic lesson
Earlier in the course, harmony mostly meant:
Which chord comes next?
Now we have several different models:
Functional
Where is the chord going?
Modal
What tonal color is present?
Pedal-based
What changes above a stable bass?
Linear
What voices are moving?
Upper-structure
What shape exists above the bass?
Rhythmic
When/how is the sonority articulated?
These are complementary ways to understand the same music.