7678 / 18210 · Workshop 60 — “Butterfly”-Type Floating Harmony: Deep Pocket, Pedal Centers, Upper Structures, Parallel Voicings, Common-Tone Motion, and Making Harmony Feel Suspended Rather Than Functional← prev⊞ allnext →
60.25Level 8 — bass finally moves
After eight bars of C pedal:
move bass to:
F.
Keep some upper notes.
Perhaps:
G
C
D.
Over C:
5, root, 9.
Over F:
9,5,13.
Same upper structure.
New bass.
Suddenly the entire sonority changes.