7129 / 18210 · Workshop 54 — “Mercy, Mercy, Mercy”: Soul-Jazz Harmony, Gospel Cadences, Backbeat Feel, Repeated Hooks, and Making Simple Chords Sound Warm Instead of Plain← prev⊞ allnext →
54.36Do not “announce” every chord
If chord changes on beat 3:
RH does not have to attack exactly on 3.
Let bass or voice-leading imply it.
The groove may be more important than explicit vertical restatement.