7123 / 18210 · Workshop 54 — “Mercy, Mercy, Mercy”: Soul-Jazz Harmony, Gospel Cadences, Backbeat Feel, Repeated Hooks, and Making Simple Chords Sound Warm Instead of Plain← prev⊞ allnext →
54.30Example
Over B♭:
RH:
D♭→D
then F-G.
That D♭ is not a new harmonic destination.
It is expressive approach.
Do not overanalyze every grace note as a chord.