6052 / 18210 · Workshop 42 — “Take Five”: 5/4 Meter, Asymmetric Groove, 3+2 vs 2+3 Grouping, and Improvising Without Losing the Barline← prev⊞ allnext →
42.98Connection to harmony
There is a striking parallel:
In harmony:
establish tonic → create ambiguity → return.
In rhythm:
establish meter → obscure accents/barline → return.
Both rely on:
expectation and controlled violation.
This is one of the deepest general principles in music.