5020 / 18210 · Workshop 33 — “Dolphin Dance”: Ambiguous Tonal Centers, Lydian Colors, Slash Chords, and Harmony That Changes Its Meaning While You Listen← prev⊞ allnext →
33.20This is useful in fluid harmony
You can preserve an upper shape across a bass change.
The listener hears continuity.
Then the new bass creates a new vertical identity.
This is one of the easiest ways to make sophisticated harmony playable.