BookatlasPiano Rabbit Hole: Improvisation Theory & Practice
4357 / 18210 · Workshop 26 — “’Round Midnight”: Chromatic Melody, Diminished Color, Altered Dominants, and Making Dissonance Sound Beautiful← prev⊞ allnext →

26.38Level 11 — altered dominant line

Instead of scale:

build a line:

A♭ → B♭ → B → C.

Against G7→Cm.

You get:

♭9 → ♯9 → 3 → tonic.

Very chromatic.

But directional.