4338 / 18210 · Workshop 26 — “’Round Midnight”: Chromatic Melody, Diminished Color, Altered Dominants, and Making Dissonance Sound Beautiful← prev⊞ allnext →
26.19Level 4 — choose by bass line
If bass wants:
G → C,
use G7♭9.
If bass wants:
B → C,
use B°7.
Harmony should serve the bass architecture.