BookatlasPiano Rabbit Hole: Improvisation Theory & Practice
3731 / 18210 · Workshop 19 — “On Green Dolphin Street”: Modal Vamps, Pedal Points, Functional Harmony, and Switching Between Two Different Ways of Thinking← prev⊞ allnext →

19.34Level 8 — pedal does not mean no bass line forever

The pedal may eventually release.

When it does:

make that bass movement meaningful.

After four bars of C:

a move to D or G feels significant.

The less the bass moves, the more important each move becomes.