1829 / 18210 · Module 30 — Melodic Transformation: Changing the Tune Without Losing It← prev⊞ allnext →
30.39First chorus versus later chorus
A very practical jazz approach:
First statement
mostly literal.
Second
ornament and rhythmic variation.
Third
paraphrase.
Improvised chorus
use fragments/motifs rather than full melody.
Final
return to recognizable melody.
This gives the listener orientation.