BookatlasPiano Rabbit Hole: Improvisation Theory & Practice
15581 / 18210 · Workshop 115 — Writing Original Improvised-Sounding Lines: How to Make Composed Melodies Feel Spontaneous Without Becoming Random← prev⊞ allnext →

115.233The mature improvised-line question

Not:

“Which scale should I run over this chord?”

But:

“Where is this phrase going, when should it get there, what small idea should the listener remember, how much space does the phrase need, and which one or two deviations from the expected path will make it sound as though it is being discovered rather than recited?”

That is spontaneous-sounding melodic composition.