BookatlasPiano Rabbit Hole: Improvisation Theory & Practice
13194 / 18210 · Workshop 104 — Writing Strong Original Melodies: Motif, Contour, Repetition, Tension, Climax, and How to Make a New Tune Feel Inevitable Instead of Random← prev⊞ allnext →

104.16The composer should know which dimension is doing the work

If melody repeats exactly but harmony changes:

harmony is developing.

If harmony stays but rhythm changes:

rhythm is developing.

Do not assume every layer must change.