13055 / 18210 · Workshop 103 — From Arrangement to Original Composition: Building a New Piece from Motif, Bass, Harmonic Function, Form, and Constraints← prev⊞ allnext →
103.67Level 41 — melody/harmony negotiation
Suppose melody ends F over desired Cmaj7.
You dislike natural 11.
Options:
- keep F as suspension
- change chord to F/C
- change melody F→E
- use Cmaj7♯11? F isn't ♯11
- delay chord arrival
The composer can solve either side.