5448 / 18210 · Workshop 37 — “St. Thomas”: Calypso Groove, Anticipation, Rhythmic Independence, and Making Simple Harmony Feel Sophisticated← prev⊞ allnext →
37.77Level 44 — ending with rhythmic tag
Instead of:
G7 → C and long fermata,
create a short repeated rhythmic tag.
For example:
one three-note rhythmic motif repeated three times,
then final C6/9.
This keeps the piece's rhythmic personality to the end.