3654 / 18210 · Workshop 18 — “Have You Met Miss Jones?”: Sudden Key Centers, Major-Third Modulations, and Staying Oriented When Harmony Jumps← prev⊞ allnext →
18.56Level 25 — sequence
A sequence is especially useful here.
Take a phrase in key 1.
Transpose the same contour into key 2.
Then key 3.
Because harmony itself is moving through remote centers, the sequence makes the whole passage sound designed.